Wednesday, May 18, 2011

Can You Wear Tiffanys Sterling Silver In Shower?

13 th INTERNATIONAL FESTIVAL OF HUMAN RIGHTS

Movies for thinking about social transformation

DerHumALC This edition, with main focus on Mother Earth, will show that it is becoming broader cinematic approach various problems of human beings. The meeting will have six seats, which will be 70 films from 30 countries.

http://www.pagina12.com.ar/diario/suplementos/espectaculos/5-21729-2011-05-18.html
By Oscar Ranzani

The thirteenth edition of the International Film Festival on Human Rights, whose opening DerHumALC guest is today to 20 in the Cultural Center Memory Haroldo Conti (former ESMA) and the public from tomorrow - demonstrate that it is becoming broader cinematic approach various problems of human beings.



If at first sought to focus on the theme "Remembrance and Dictatorship", the shows that each year organizes the Multimedia Institute DerHumALC also adapted to the changes that were expressing the different actors of society and that resulted in the inclusion within the field of human rights issues that did not have much visibility, since the need respect for sexual diversity and gender issues to the value of environmental care and protection of culture and identity of indigenous peoples. It is noteworthy that, over these thirteen years, has made significant progress in strengthening the defense of human rights. And DerHumALC Festival is also a tool to meet these new themes. This is evidenced by the diversity programming of the shows that over seven days (until 25 May) will be held in six locations in the city (see below), showcasing around 70 films from 30 countries, among which include animations, documentaries and fiction made between 2009 and this year.

"We have an audience that grows with each issue. There is a very young age does not necessarily have a practical or political-cultural heritage. And that seems very important because it renews the generations and the attitude toward human rights issues is not only linked to an aspect of memory but also Argentina at present, today, "said festival director, Florence Santucho. "The fact that each projection of films the festival has so much commitment from the public and those who come to the films is a demonstration that there is a need and an interest in further thinking through film to be transformed to society in which we live, "adds Santucho.

"This year we have taken as the central focus Mother Earth, because it includes within our whole view of human rights issues and the arguments we want to highlight," said festival director. He adds that traditional sections such as Perspectives of Gender, Children and Youth, Migrant Indigenous Peoples (which this year is within Section Mother Earth) "are issues that we work from a more comprehensive approach that includes basic rights such as, for example, a healthy environment and respect for diversity. " Just

in Section Mother Earth may be a documentary on a subject that has raised enough dust politics in recent weeks: Community Qom Spring axis taken as the narrative a video made by two anthropologists who intends to disseminate qom voice of the community through Spring territorial conflict they experience. Pots and dreams is a documentary Peruvian realize integrative cultural force that has the food in this country and how often acts as a bridge between different cultures. Patagonia, the colors of discord, Joseph Maldavsky, relates the confrontation between a family Mapuche of Patagonia and the Italian textile magnate Luciano Benetton, who bought a million hectares in southern Argentina. Water as a resource to resist the effects of climate change is the subject of the documentary Well, Italians Paolo Barberi, Riccardo Russo and Mario Michelini, who focused the cameras on the Borana, a tribe in southern Ethiopia, where water is very little good.

Section Mother Earth will also offer the chance to see again Awka Liwen Argentine documentary, directed by Mariano Aiello and Kristina Hille, which included the story of Osvaldo Bayer. This visual class is a true story about the struggle of indigenous peoples and protection of ancestral lands. The backdrop is the struggle for wealth distribution, which was historically the oligarchy as the implementation arm of plunder and extermination of native peoples.

One of the most outstanding films of the Official Competition films is Newen Mapuche, strength people of the earth. "We will have the participation of its director, Elena Varela, this documentary made in Chile on these peoples. Varela was arrested for investigation of clandestine organizations Mapuche activists. This film was also very relevant for the political persecution of a filmmaker who had chosen the theme, "says Santucho. Another filmmaker who come as guest and also present his work in the Official Competition is the French Sylvaine Dampierre, director of the documentary The country upside down. "As this is the year of African and Afro-American culture, will be this audiovisual Dampierre reconstructs the path of his grandfather enslaved by the French from the island of Guadalupe. She reconstructs the journey in reverse and back to meet his African-American culture, always through music and dance, "says Santucho.

The director of the festival also highlights the presence of English Carles Bosch, who will present bike, spoon, apple in the Official Competition films. The film, which comes with several awards, including the Goya for Best Documentary, chronicles the daily struggle of Pasqual Maragal, who was diagnosed with Alzheimer's disease. "The artistic quality of the film adds to what is the social content which focuses health topic from the standpoint of human rights: why seeking inclusion and not exclusion of sick patients. The character is very representative in terms of his personal struggle over human rights. And they will be present the protagonist and the director together in a debate, "anticipates Santucho.

Another production that integrates the Official Competition is the documentary BAS! Beyond the red light, the Canadian Wendy Champagne, which follows the lives of thirteen girls who were "sold" to the most famous network of brothels in Mumbai. The characters themselves reveal unknown aspects of her ordeal after being rescued. Co-production German-French-Israeli Eyes wide open, Haim Tabakman, is a fiction that features a butcher of the haredi community in Jerusalem, married to the mother of his four children. The life goes smoothly until he meets a 22-year student who falls in love and begins, then, neglecting his family, a situation that will force him to make a decision. The Argentina will offer the premiere of D-Human, which reflect the country's ten directors (each with its short) the state of human rights in the country, 63 years after the Universal Declaration. The filmmakers are Mariana Arruti, Lucy King, Rodrigo Paz, Carmen Guarini, Andrew Habegger, Pablo Nisenson, Miguel Pereira, Ulises Rosell, Andres and Javier De Silvio Schellemberg.

The Swiss documentary from somewhere to nowhere, Villi Hermann, which is also part of the competition, reflects the problem of migrant workers in China, where an estimated 150 million people are in this situation. Kontinuasom, Oscar Martinez, tells the story of a woman from Cape Verde, which is a dancer in the group root di Polon. At one point, she receives a proposal to join a music show in Lisbon and Cape Verde is in the dilemma of leaving their land. Complete list of the Official Competition Living another look, documentary Guillermo Planel Brazilian, who come as guest for the second time. "Take part in our festival with this film about the role of social journalism photography, considering that the author's point of view influences the message as a result of the communication. And focus on a favela where you start to study journalism and journalistic work from the inside photos. It is also very interesting because we will generate a debate on ethics and the construction of the message through the identity of belonging, with the presence of local and national speakers, "says Santucho.

The festival director explained that there two foci. "They arise from the order of local authorities with whom we had and we have developed relationships in recent years," he explains. The first will be the focus Colombia. "We always had many requests from Colombians returning to watch the films in their country so they could discuss. And then this year, thanks to the good production that came to us, we have this focus. "They come as a guest Jairo Carrillo, codirector of little voices, along with Oscar Andrade. This is an animated documentary that reflects real life stories of displaced children in Colombia, who have grown up amid violence. "For us it is a representation which may be the relationship between high-quality films (including animation of little voices, which is winning awards around the world) with a debate about Colombia today, in the presence of the community and Colombian exiles or immigrants who feel the need to reflect on the situation in his country, "says Santucho. Another Focus Productions is Impunity Colombia, Juan José Lozano, who set his eyes on the process undertaken by the government of that country to prosecute paramilitaries and that led to an abrupt end. Portete Bay, indigenous repair, Fernando Urrego Lozano, tells the story a girl who grew up in Bay Portete wayú Indian port, where in 2004 the AUC (United Self-Defense of Colombia) made a terrible slaughter.

The other focus is on the Middle East, which also "arises from the large Palestinian participation in the festival," according to comments Santucho. He adds that this year will be shown films about the nation that also won awards: for example, a new day has come, whose director, Italian Emiliano Sacchetti, "addresses the issue of Palestinian refugees." Gaza Hospital will also be presented by Marco Pasquini, which, as the title reflects the history of the health center was a mute witness to the Israeli invasion and civil war in Lebanon. This medical center was destroyed and then set to camp. "In addition to members of the Palestinian community, we will have some Italian guests that come directly from Gaza. So it's going to be a very topical debate with people involved from the artistic, political and journalistic account, "anticipates the festival director.
Santucho notes that this issue also involved the collaboration of the Provincial Committee for Memory of the Province of Buenos Aires, who for many years made short in schools on human rights issues. "For us to present these works in the festival and invite other schools and youth to participate also seems like something very important and valuable," he concludes.

* The complete schedule, venues and show times are available at www.imd.org.ar / festival .

The festival venues

- Alliance Française : Córdoba 936/946.
- Space INCAA Km 0 Gaumont : Rivadavia 1635.
- Cosmos-UBA : Corrientes 2046.
- HC Auditorium of Deputies : Riobamba 25, 1 underground.
- CCEBA : Florida 943.
- Centro Cultural Memory Haroldo Conti: Avenida del Libertador 8151.


AN AGENDA well nourished

Beyond cinema

A full agenda of activities parallel to the projections of the 13 th International Film Festival on Human Rights DerHumALC is provided throughout the development sample. One will be tomorrow at 17.30 in the auditorium of the Honorable Chamber of Deputies. After the screening of the short final destination, Giancarlo Ceraudo, there will be the debate "death flights", which will include Miriam Lewin, Taty Almeida, Diego Martínez and Enrique Piña. On Friday at 17.30, in the same place, there will be talk-debate "Photography Social Policy and Journalism." In this case, involving the Brazilian Guillermo Planel, director of Living another look, along with part of your team. The discussion will focus on experiences of documentary photography and journalism in marginal areas and the value of group work and independent groups.

Friday at 18, the Space INCAA Km 0 Gaumont, will be the "Debate Focus Middle East," referring to the presence of the Palestinian community in Argentina and Giorgio Palmera, president of Photographers Without Borders Italy. Both Saturday and Sunday, from 11, there will be two days of culture at the Cultural Center of Memory Haroldo Conti, whose goal is to create a space of encounter and reflection on the main themes of the 13 th edition of the Festival DerHumALC. Several specialists will discuss Mother Earth and food sovereignty, land conflict, health and human rights, sexual diversity and equal marriage and Youth and confinement, among other topics.

On Monday at 11 at the Gaumont, the proposal is an animation film workshop on human rights and dictate Furelos and Sergio Sandra Victorino. This activity aims testimonial think the wealth of the drawings that comprise the movie little voices as a vehicle for expression of stories in which naturalizes violence through the suspension of rights to property, to have a family, education, health and life itself. At 17.30, the Chamber is developing the "Debate Focus Colombia", in the presence of the makers of repair Portete Bay communities concerning indigenous and Colombian community. On Tuesday 24 at 17.30 there will be another debate in the Lower House, after the October projection Pilagá Mapelman Valerie, the director will talk with community representatives Qom. Parallel activities will conclude that day at the Alliance Française, at 18 the film will be screened BAS! Beyond the red light, then there will be a lecture-discussion on trafficking in women.




Monday, May 16, 2011

Invitation For Daughter's Birthday

Challenge organized by Yamel ... Fulfilled ...

Hello friends! And if just in time hehehe! Les present the I did odd jobs for the challenge of Yamel. Teji a turkey rests wool with traces of earlier work, and the box details tapes I made of the colors of the rainbow that will help save buttons or other stuff . Well I hope you enjoy and see you at the next challenge ... Besos!

Sunday, May 15, 2011

Herpes Rash Disappear

Have a nice week!!

Amigas as in these days the blog page does not walk very well I deleted your comments in the late innings, which I had to edit again so I lost. Anyway
are things of the Internet technology.
I hope you had a nice weekend, and I wish also to begin to encourage and hope this new week, so that the friendship we have found in these blog sites continue to grow even more, because sometimes mimes, comments, good vibes, or simply a visit to our virtual houses are good for the heart and fill it with emotions ... Thanks for all the day to day contributing their knowledge in fabrics and crafts. Mil Besos! God bless!

Thursday, May 12, 2011

Washington State Drivers License Template

START THE 64 th EDITION OF THE FESTIVAL DE CANNES

preserve the ideals
film as "a model of sophistication and timeless elegance" is one of the objectives of the Festival de Cannes , and therefore have chosen a picture of Faye Dunaway , taken by New York filmmaker Jerry Schatzberg in 1970 to illustrate the poster its 64 th edition.


be held from 11 to 22 May . 'Midnight in Paris' , the new Woody Allen film, will be responsible for opening the festival. With regard to the granting of awards, Robert De Niro is the President of the Jury, the same position that he will Emir Kusturica but in the Un Certain Regard. Bong Joon-Ho will so in the Jury of the Caméra d'Or, while Michel Gondry heads the short films and the Cinéfondation. Tons of prestige that bind also announced a tribute to the actor Jean-Paul Belmondo.

policy slips on the red carpet

A last minute inclusion was announced, out of competition , the films In Film Nist, Jafar Panahi and Bé é Omid Didar, Mohammad Rasoulof, the two filmmakers who are political prisoners of the Iranian theocratic regime.

For Luciano Monteagudo
http://www.pagina12.com.ar/diario/suplementos/espectaculos/2-21651-2011-05-11.ht ml
From Cannes

The forecast for today and the next day on the Croisette indicates sunny, but with a political storm. The opening of this night's 64 th edition of the Festival de Cannes, with the screening out of competition for Midnight in Paris, the new Woody Allen movie - filmed on location in the City of Light and the first lady Carla Bruni in the cast- officer promised to give a bonus to the famous red carpet serves as the entrance to the Palais des Festivals. But Mme. Bruni-Sarkozy said yesterday that "personal reasons" will not be opening. Beyond this faltazo, which will surely have to do intricate protocol considerations, Cannes, the most important festival of international cinema calendar, and has secured a political storm with the inclusion, at the last moment, two films that came out Iran clandestinely. In Film is Nist (This is not a movie), Jafar Panahi, and Bé é Omid Didar (Goodbye), by Mohammad Rasoulof, the two filmmakers from last year are political prisoners of the theocratic regime in Tehran.



Midnight in Paris (2011) - Official Trailer ... by Eklecty-City


Convicted in your country to six years in prison and banned for twenty, Panahi, which began here in Cannes, his career when White Balloon obtained in 1995 the House Gold for best first film, last week sent a message to the festival in which he said: "The fact of being alive and the dream of keeping intact the Iranian film encourages us to overcome Current restrictions are imposed on us ". His film, entitled suggestively This is not a movie , tells how, for months, Panahi awaits the verdict of the court of appeal. "Through the representation of a day of their daily lives, and another director Jafar Panahi Iranian Mojtaba Mirtahmasb (co-director of the documentary), we propose a vision of the current situation of Iranian cinema" , said in a statement the authorities the festival.

For its part, Bé é Omid Didar (Goodbye) tells the story of a young lawyer in Tehran seeking a visa to leave the country. The movie was filmed in secret last year. In a joint statement, the festival's general delegate Thierry Fremaux, and the chairman of the event, Gilles Jacob, said they "Mohammad Rasoulof's film and the conditions under which it has done, and this journal on Jafar Panahi days of his life working as a private artist, by their very existence, a resistance that affects the sentence. Being sent to Cannes is an act of courage and a wonderful artistic message. "

Although none of these two titles competing for the Palme d'Or (the Panahi will be in a special and the integrated Rasoulof Un Certain Regard), the presence in Cannes Iranian cinema returns to the center of the scene, after just three months before the movie Nader and Simin, a separation is the big winner of the edition 61 of the Berlinale. There, in addition, the empty chair with the name of Panahi, invited as the official jury, was a constant cry in solidarity with the filmmaker and a call to freedom of expression in Iran.

Beyond this highly political side, Cannes this year offers a rare combination of established names and newcomers in the major leagues. Argentine cinema is represented in the official selection by the presence on the jury of the actress and producer Martina Guzman and short I am so happy to compete for the Palme d'Or in its category, plus a large presence in other sections (see sidebar). But attention, once again, the fidelity of Cannes who has long been the French press calls "paid" big names who return again and again to compete for the grand prize in the world of cinema.

The Belgian brothers Luc and Jean-Pierre Dardenne, twice winners of the Palme d'Or, first by Rosetta (1999) and then for the Child (2005), returning this year with Le gaminauvélo on a boy abandoned by his father and handed over to social services. Another winner for the Palma, Italy's Nanni Moretti, winner of The Son's Room (2001), returns with Habemuspapam, farcical comedy about a priest (Michel Piccoli) who, having been consecrated pope suffers a spiritual crisis and does not dare to assume office. And the Danish director Lars von Trier's Palm d'Or 2000 for Dancer in the dark, now brings Melancholia, the strange story of the confrontation between two sisters (Kirsten Dunst, Charlotte Gainsbourg) while a nearby planet threatens to hit Earth.

Among the "abonnés" who have had major awards at Cannes but still aspire to be the Palm, the Finn Aki Kaurismäki return to Le Havre (port promising title for the filmmaker working class par excellence), the Japanese director Naomi Kawase excelsa with no Tsuki Hanezu, Turk Nuri Bilge Ceylan with Once upon a time Anatolia and Pedro Almodóvar, of course, now try to fight for the top prize with the skin I live, another noir melodrama, this time on a plastic surgeon (Antonio Banderas) who seeks revenge on those who raped his daughter.

To balance the scales, there are few managers who come this year for the first time in official competition cannoise. Eight, to be precise: the French Maïwenn Le Besco, the Scottish Lynne Ramsay (women stomp on this issue), Nicolas Winding Refn Danish, Romanian Radu Mihaileanu, Japanese Takashi Miike, the Israeli Joseph Cedar, Austrian Markus Schleinzer (former assistant to Michael Haneke) Julia Leigh and Australia, the last two newcomers in the film (and this is rare in a less strict Cannes festival, where they usually pay dues to get to the competition). The French Alain Cavalier and Bertrand Bonello, meanwhile, are first-timers in the competition, but their presence has attracted the attention of local media, betting on other filmmakers there.
Once
Moreover, as in recent years, the presence of American film in competition is less than low: only The Tree of Life, by Terrence Malick, starring Brad Pitt and Sean Penn, comes across the Atlantic. Although the Italian Paolo Sorrentino, which presents This Must Be the Place, filmed in the United States, also with Sean Penn in front of the cast. The big Hollywood machine in any case, find refuge outside competition, where will the next installment of Pirates of the Caribbean and The Beaver, directed by Jodie Foster and starring Mel Gibson.

Moreover, Thierry Fremaux, general delegate of Cannes and solely responsible for programming, has been strengthening in recent years the section Un Certain Regard (A Certain Regard), until it becomes almost parallel competition, with names that rival in prestige and importance to the official competition. The 2011 is no exception, to the point that the opening is in charge of Restless, Gus van Sant (Palme d'Or 2003 by Elephant) and the full program are many filmmakers who have gone through the official competition, as French Bruno Dumont and Robert Guédiguian, Korean Hong Sang-soo and Kim Ki-duk, and Eric Khoo Singapore. Beside them, Latin America will battle with films from Mexico, Brazil and Chile, cinema in recent times had been somewhat overshadowed by the presence of Argentine cinema in Cannes and this year seem to take revenge.


Most Durable Hiking Boots

II National Meeting of Documentary in the Chaco


Thursday 26 to Saturday May 28, 2011
Isla del Cerrito, Chaco Province

PROPOSED SCHEDULE OF ACTIVITIES



Thursday, 26 May:

11.00 am: Departure of Resistance to the island of El Cerrito.

13.00 pm: Lunch.

15:00 pm: REPORT: In charge of the organizers of the Operational Plan for the Promotion and Development of Digital Audiovisual Content. Progress with the unions to set specific tariff schedules. The national impact. Topics discussed and other elements for X-rays. Balance Via Digital Documentary . New regulations.

17.00 pm: Working committee.

20.00 pm: Dinner.

22.00 am: Presentation of trailers 10 ' by regional partnerships that allow for a visual overview of the winning projects of the Operational Plan for the Promotion and Development of Contents Digital audiovisual or other audiovisual works which are post-production meeting in Cordoba.


Friday, May 27:

8.30 am: Breakfast.

9.00 to 13.00:

PANEL 1 : practical experiences in implementing the Act Media and the Operational Plan for the Promotion and Development of Digital Audiovisual Content. The various actors in the new audiovisual landscape. Experiences of national, regional and local levels. The contribution of the documentary to the actual implementation of the Law media.

PANEL 2: Is the television and new technologies require a visual language itself? There are issues specific to different formats? Or the same issues can develop in any of them?

13.00: Lunch.

15.00: Labour Commission.

20.30: Dinner.

22.00: Screening of documentaries produced locally. Event open to the community.


Saturday 28 May:

8.30 am: Breakfast.

9.00 am: REPORT ON Base data Argentina Network of Documentary. Guidelines for data collection.

10.00 am Working Committee.

13.00 pm: Lunch.

15:00 pm: Closing Working Committee.

19.00 pm: Plenary: Conclusions Reading.

20.30 pm: Dinner.

22.00 pm: Musical performance. Event open to the community.


Sunday 29 May:

Delegations return.

ANTICIPATE

Documentary The Third Meeting of Latin American and Caribbean-XXI century to be held between 6 and 9 July 2011 in Buenos Aires, will emerge from II National Meeting of documentaries that take place in the Chaco from 26 May 28 . This part of the need to meet one of the objectives proposed in Córdoba is the relationship between the National Network of Documentary to Documentary Network in Latin America and the Caribbean, so the proposals to relocate the III Encuentro have to emerge from the meeting Chaco.
believe important to emphasize, this time, the need to strengthen this area of \u200b\u200bjoint meeting and documentary filmmakers from around the country, space that is just forming and it is essential at this time participation with commitment, maintaining the democratic and inclusive spirit that has, since its creation. As we ask the confirmation of the participation of associations and regional organizations in the Second National Meeting. We reiterate that fall under the food and accommodation costs of 2 representatives from each national association, regional and provincial or 3 per region (Centre, Cuyo, NEA, NOA, Patagonia and Central) for independent peer.
On the other hand, we reiterate that we send the names of the participants, or regional organization to which they belong and in which Task Force be entered before 19, to May celedad@gmail.com , anynsaurralde@gmail.com and doloresmic@yahoo.com.ar .
Finally, we invite you to participate in the following Thematic Panels :
PANEL 1: Concrete experiences in the implementation of the Media Law and Operational Plan for the Promotion and Development of Audiovisual Content Digital. The actors in the new audiovisual landscape. Experiences of national, regional and local levels. The contribution of the documentary to the actual implementation of media law.
PANEL 2: Is the television and new technologies require a visual language itself? There are issues specific to different formats? Or the same issues can develop in any of them?
For that, we ask you to send a summary exposure proposal by May 19 the same email listed above.
also remind you that there will be room for the filing of trailers 10 'by regional partnerships that allow for a visual overview of the winning projects of the Operational Plan Promotion Audiovisual and Digital Content Development or other audiovisual works which are post-production meeting in Cordoba
We send a warm greeting, Anibal
Garisto
Ariel Diresa
Axel
Monsu
Camilo Moreira Biurra
Dolores Miconi
Eduardo Spagnuolo
Gisela Hirschfeld
Humberto Ríos Marcelo Pérez
Mauricio Carmona Nestor Moreno
Norma Fernandez Sergio Romero
Tito Ameijeiras

Wednesday, May 11, 2011

Kates Playground Online Movies

to spoil my grandchildren ....



if friends with these little squares that I was knitting with wool ovillitos excess of other work, I made these shoes or boots for my little grandson smaller (and I could build with the help of Martha's Brujis Morena because I complicate a little to unite jijiji squares!) When you assembling the others showing the ire ... little by little I'm putting in training again with the crochet and crafts .... Besos!

Tuesday, May 10, 2011

Salon Services And Prices Coupons

JUANA SAPIR presents a retrospective of Raymundo Gleyzer

images of a fighter

Gleyzer and soundman Widow of his films, discusses the methods and resources had to be put into play at times turbulent recent history in Argentina. "We did film to raise awareness and that remains today," he says.

By Oscar Ranzani
http://www.pagina12.com.ar/diario/suplementos/espectaculos/5-21645-2011-05-10.html

"It is clear to us that cinema is a counter-weapon. Not a military-type weapon. It is an information tool for the base. That is the other value of the cinema at this time of struggle. Thus we understand that cinema is a weapon. " So thought the director Raymundo Gleyzer , creator of political classics as The traitors and founder of the Film Group Base, which sought to bring their productions to schools , universities, villages and factories, because he understood that cinema was a powerful tool for social and political transformation. Kidnapped by a task force on May 27, 1976 and disappeared by the dictatorship, Gleyzer left a work that even today a matter of analysis and set a style document the realities of a turbulent time.

"At that time, we did the film to contribute from our ideology and our principles from what we thought appropriate to raise awareness. All that is now as current as it was before " says his life partner Juana Sapire, who was the soundman for his films. Sapire traveled to Argentina to present a retrospective of Gleyzer every Thursday in May at the Cultural Center Cooperation (see separate article) and to teach a seminar director Neither forget nor forgive and Film Base (also in the Cultural Center of Cooperation, Corrientes 1543) on 23 and 24 of this month.

Raymundo Gleyzer six months he had studied at the Faculty of Economics, but soon realized that was not what interested him. It was then decided to change his vocation and began studying filmmaking at the University of La Plata. He then worked in the news Telenoche, which then led Monica Cahen D'Anvers and Andrés Percivale. Among its work, highlighted the special report "Our Malvinas Islands." "He worked in a time when the news was directed by Tomas Eloy Martinez, a journalist with race, intelligence, very knowledgeable, "said Sapire. He added that Raymond "had a very good camera and a special sensitivity." In addition, another of his characteristics was that he sat waiting for a job will tell, but proposed special notes. "And so he sought permission from the Queen of England to step on the Falklands. The queen ordered the permit, but only for one person. And Raymond was hung the camera, I gave my stereo, and went alone to the Falklands. "

In 1971, a few years later, shot Gleyzer one title that would become classics: Mexico, the Frozen Revolution , setting out an analysis of the Mexican reality after the rebellion that marked a before and after the twentieth century Latin American history.
"With Raymond said, 'What is the most important revolution of the century in Latin America?" We started investigating and came to the conclusion that it was Mexico's, because it is Pancho Villa, Zapata, "says Sapir. And narrates the genesis of the project for two and a half years the couple traveled to various countries in Europe knowing historic sites and providing audiovisual work as a means of subsistence (Gleyzer Sapire that was a true love of travel). While in London, met Bill Susman. "He invited us to his house and we stayed like we were his family. And Bill and Raymond began to plot it in Mexico, "says Sapir. Then Gleyzer Humberto Ríos called him and said: "Black, do you want to make the camera come to Mexico with your wife?". The couple accepted. "And we are in Mexico," says Sapir. "We started to investigate for months and months and we connect with Paul Leduc, a great filmmaker, and worship, and he accompanied us driving the car in much of the filming of the movie. "

Two years later, he became interested Gleyzer first and only time in fiction: Traitors, landmark of political cinema film which tells the corruption of a union that, as the title indicates, it ends up betraying workers said defend. In relation to what he thought Raymundo Gleyzer, Sapire says Traitors "reflected the struggle of the unions for not dropping his pants for a million dollars or three or five, that the base is the only one who knows how to operate a factory , that you do not have to have a sucking me remove the blood and make you sick. Ortega Peña said that only the people will save the people. Who's going to save? Who cares about the people? The people themselves.

Then Raymond's ideology is that we need to organize, we must fight, that the pattern is not invincible and that forces the workers themselves can run the factory, can be grown to eat, do not rely on a huge force that seems impossible to overcome. Yes we can win. "

"The Film Base met mostly around Traitors, because it was a little before that, but the traitors was what cohered to the group " admits Sapire. Among the group were those who were filming, but also "had to project the films, get the projector, the car, having contact with the town, school, etc., to show movies and talk with people," says Sapir since the idea was to reach people who could not go to the cinema to pay an entrance fee. "So we had to bring the film to the workers. Even we had movies that were not of our production, such as Operation Slaughter, Jorge Kidron, or films Enrique Juárez. In other words, peer of the left because we collaborated well. "

from that period stand two jobs Swift (on the abduction and release of the British consul in Rosario, representative of the fridge) and neither forget nor forgive (this last testimonies of political prisoners before the Slaughter of Trelew occur). These two works were published by Gleyzer with archival material. "At that time, the People's Revolutionary Army left his written communications, for example, the mirror behind the bar La Paz, and then called the newspaper and told them: 'We leave the statement on that side. " Then, Raymundo said, 'Why not make the press filmed?'. He also managed to television material, with the idea of \u200b\u200bsharing things and that we thought as we had to help. Then he told them, 'I need this footage' and is providing, because both Swift as neither forgets nor forgives us not filmed, "says Sapir.

http://youtu.be/iWJAd32Y8ms

full Program of Cultural Cooperation Center Corrientes 1543 on 23 and 24 of this month.

* Thu May 12 2030: Traitors (1973).
* Thu May 19 2030: Mexico, the Frozen Revolution (1971), not forgetting or pardon (1973).
* Thursday, May 26: Ceramiqueros of Tras la Sierra (1966), Our Malvinas Islands (1966) Special note on Cuba (1969), Swift (1971).


Monday, May 9, 2011

Memory Lane Signs For Wedding

Upon returning from my vacation ....

Hello friends return from my holiday gifts I found how carefully I prepare Vanina and Clari (and my sister Martha had saved.) I thank you all I got, are precious and very helpful .... Hmmm I'll see where the take care! Vanina Thanks!